andrew aitchison: 62; akg-images: 81, 116; akg-images/stefan drechsel: 252 (left); alamy/gari wyn williams: 94; archconfraternity of san giovanni decollato, rome: 218 (left); archivio fotografico messaggero s. antonio editrice/giorgio deganello: 126; arktos: 250; axiom/timothy allen: 24; richard baker: 100, 104, 146, 151, 152, 154, 157, 288; every word unmade, 2007, by fiona banner, courtesy of the artist and frith street gallery, london: 214; from brigitte et bernard ? audrey bardou: 216 (below); from the roman missal, 1962 ? baronius press, 2009: 38; nathan benn: 54; jean-christophe benoist: 16; ? bibliothèque nationale de france: 149; big pictures: 187; bridgeman art library/bibliothèque nationale, paris: 302; bridgeman/british library, london: 72; bridgeman/chiesa del gesù, rome: 252 (right); bridgeman/church of the gesuiti, venice/cameraphoto arte venezia: 10; bridgeman/duomo, siena: 42; bridgeman/fitzwilliam museum, university of cambridge: 141; bridgeman/galleria degli uffizi, florence: 169, 216 (above); bridgeman/galleria dell\' accademia carrara, bergamo: 174; bridgeman/hermitage, st petersburg: 238 (below); bridgeman/neil holmes: 265; bridgeman/? isabella stewart gardner museum, boston: 234; bridgeman/musée des beaux-arts et d\'archéologie, besan?on/giraudon: 223 (above); bridgeman/musée du louvre, paris/giraudon: 211, 232; bridgeman/museo di san marco dell\'angelico, florence/giraudon: 236 (above); bridgeman/musée d\'unterlinden, colmar: 220; bridgeman/national museum of bosnia and herzegovina, sarajevo/photo ? zev radovan: 47; bridgeman/noortman master paintings, amsterdam: 184; bridgeman/prado, madrid: 230 (above); bridgeman/private collection: 118; bridgeman/st peter\'s, vatican city: 228 (above); bridgeman/scrovegni chapel, padua: 86; by kind permission of the syndics of cambridge university library: 92; camera press, london/butzmann/laif: 36; ? nicky colton-milne: 49; from the garden ruin serics ? fran?ois coquerel: 223 (below); corbis/robert mulder/godong: 60; corbis/bob sacha: 130; jean-pierre dalbéra: 308, 309; fczarnowski: 170; peter aprahamian/freud museum, london: 97 (below); gabinetto fotografico nazionale, rome: 218 (right); from the remember me series ? preston gannaway/concord monitor: 228 (below); getty images: 236 (below), 249, 286; thomas greenall & jordan hodgson: 45, 67, 89, 97 (above), 123, 177, 193, 204—5, 226, 245, 262, 266, 274, 284, 290 (below): dan hagerman: 295; from the sunday missal ? harpercollins, 1984: 134; istockphoto.com: 270 (above); rob judges: 107; new york, c. 1940, by helen levitt ? estate of helen levitt, courtesy laurence miller gallery, new york: 230 (below); linkimage/gerry johansson: 22; red slate circle, 1987 by richard long. courtesy of the artist and haunch of venison, london ? richard long. all rights reserved. dacs, 2010: 241 (below); ? mazur/catholicchurch.org.uk: 31, 34, 40, 225 (below); mary evans picture library: 64; ? museum of london: 270; naoya fujii: 260; pa photos/ap/bernat armangue: 52; pa photos/balkis press/abacapress: 293; panos pictures/xavier cevera: 110; john pitts: 270 (below); from contrasts, 1841, by a.w.n. pugin: 256; reuters/yannis behrakis: 190; reuters/str: 297; rex features: 89 (inset), 144; lucienne roberts & david shaw: 76, 290 (above); scala/art institute of chicago: 177 (inset); scala/pierpont morgan library, new york: 114, 128; scala/white images: 238 (above); untitled—october 1998, by hannah starkey, courtesy maureen paley, london: 28; mathew stinson: 172; national gallery i, london 1989 by thomas struth, courtesy of the artist and marian goodman gallery, new york/paris ? thomas struth: 212; westminster cathedral, london: 225 (above); katrina wiedner: 140, 269.

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